Showing posts with label news. Show all posts
Showing posts with label news. Show all posts

Sunday, 6 March 2016

Ted's trailer reactions: Ghostbusters (2016) first trailer

Ok so considering that the last couple of news reviews I did were a bit dark I think it might be about time that we have a look at something with a little less intimidating and haunting implications.  Well...not so much in a qualitive sense in this case at least.

I'm gathering that you all saw the first trailer for the new all-female-main-cast Ghostbusters reboot and much like myself saw many people either turning into a whirlwind of joy and exclamations of diversity and others hanging their heads in disillusionment and disgust.  Now while diversity and equality of opportunity are good things in my eyes, the fact that this new Ghostbusters film has a main female cast is irrelevant to me in terms of the qualitive value of the films' trailer itself.  The reason as to why I am saying this is because I hated this trailer not because of the fact that the main four characters are women which I really don't have any problem with, the main reason as to why I am bringing this up is that the trailer itself is fucking dreadful.

Link for the first Ghostbusters reboot trailer: https://www.youtube.com/watch?v=w3ugHP-yZXw

Image source: http://teaser-trailer.com/movie/ghostbusters-3/


Now before I rip into this travesty of a trailer let me at least try to accentuate some of the pros that I found in the trailer.

Firstly, some people have been saying that the effects are pretty shitty and while they aren't really anything spectacular they are still decent enough by the looks of it and at least seem allot better than any shit we saw in Gods of Egypt (2016) or that slew of Hercules films released in 2014.

Secondly, Slimer looks marvellous in this trailer so I have no doubt that the ghost designs of both old and new ones will at least be solidly competent and nice to look at.

Thirdly, the costumes and designs of the new Ghostbusters car are all superb so chances are that the visual designs on both the special effects and the actors and actresses themselves will be superb.

Aaaaaaand that's it...no really.  That's all that I could find good about the trailer and even then I really had to stretch my expectations and assessment of the trailer to be as humanely objective as possible but I really couldn't.  As mentioned above I only thought that the special effects were good and not superb or even great and even with that point I had to be really generous .

Image source: http://screenrant.com/ghostbusters-reboot-casting-release-date-2016/

There's little I can actually compliment about this trailer because from the first musical tone I just wanted to shrivel up with copies of the original Ghostbusters and a cuddly toy of the stay puff giant man.  The music, while certainly not the worst thing about the trailer, is certainly as generic as it gets in terms of modern, post-2010 big blockbuster trailer music riffs as it repeatedly exclaims the same riff as seen in trailers such as Star Trek: Into Darkness (2013), Batman V Superman: Dawn of Justice (2016) or London has Fallen (2016) (still can't believe that last one is an actual movie and not just a joke).  Even when snippets of the original theme are played throughout the trailer in order to cynically exploit the nostalgia of the franchise's old-school fans they end up being drowned out by generic-as-fuck pseudo-techno remixing and thus lose almost all nostalgic value.  However, as I said, the music is certainly not the biggest problem that this trailer has.

Image source: http://firstklassbreakfast.com/ghostbusters-3-will-star-all-female-cast/


The worst part of the trailer for me without a doubt was a dual mixture of both the comedy and the casting.

Comedy is of course a hard thing to criticise however as it is virtually entirely subjective and what I may find funny might be completely unfunny to you or anyone else for that matter.  Therefore I implore you all to take this into account when I say that I thought that the comedy in this trailer was truly horrendous.  To be honest, someone watching my reaction when I first saw the trailer could've probably seen that to be quite obvious as I didn't laugh, crack a smile or even chuckle once throughout the entirety of the 2 minute and 37 second pile of pig shite that was this film's trailer. 

Not one of the comedic moments stuck in my head unlike the timeless comedic tones of the original 1984 film which gelled all or at least most of the jokes together with a seamless mixture of top-notch writing and chemistry between Bill Murray, Dan Aykroyd, Harold Ramis (may he rest in peace in comedy heaven) and the mayor of cool town-upon-Tyne Ernie Hudson.  I never got that same level of chemistry from this one trailer or the same level of comedic gelling and smooth humour that was prevalent in the 1984 original and even the 1989 sequel (albeit to a considerably lesser degree than the 1984 original).  I could go into length about this but I'd be here all day so I'll summarise this all up by recommending you see what I mean by looking at the trailer and keeping in mind that the first joke in this reboot of one of the greatest comedy franchises of all time is a projectile puke joke...ARE...YOU...FUCKING...9!?!?!?!.

Ok ok, calm down Ted, they can't hurt you.  Well the sheer shittyness of the comedy could.  And aside from the seemingly lacklustre writing and awful comedy on show I can easily attest that the other main reason for this not to mention the other main problem about the trailer itself is the casting.  Much like with the pros of the trailer I feel like I'll have to go through the main actresses step by step to give my tuppence on why I think the casting in this film looks about as useful as a paintball gun during the battle of Narvik.

Main actress 1: Kristen Wig

Ms Wig is probably the best one out of the four main actresses to address first because while she definitely seems to be putting in the least comedic and acting effort in the trailer, she is also the least aggravating.  Throughout the trailer I expected Wig to exemplify the same snappy, comedic wit as shown in Bridesmaids (2011) or The Loony Tunes Show (2011-2013) but she seems inexplicably bored throughout the trailer and is undoubtedly going to be the main core of the team in the film which I'm not sure I feel about.

On one hand she is a great comedic actress with a huge amount of experience and has been in many great comedic shows and films but on the other hand she doesn't seem to bring her A-game into this trailer and while the film might actually accentuate her talents to a greater degree than the trailer does, I'm not going to hold out for too much.  However, I do hope Wig's performance is allot more fleshed out than it appears in the trailer for sure.


Main actress 2: Melissa McCarthy

Oh McCarthy what happened to you?  Around the early 2010's with films like Bridesmaids (2011) and This Is 40 (2012) it seemed like you had revived your career from the sludgy slump that it had fallen into in the mid-2000s and you were set to trail-blaze the scene of female comedic acting for the next several years, fast-forward half a decade and you're turning up in drivel like The Heat (2013) and Tammy (2014) which make no use of your once-great talent and now you're in one of the worst-looking reboots in the better part of 4-5 years?  (The last one being the 2012 reboot of Spider-Man (2001-07)).

I cringed every time McCarthy was on screen in this trailer as she smarmed her way through her lines and showed no genuine comedic charisma or accurate comedic timing in order to make her jokes truly stick.  Instead she seems to have gone to the other end of the comedic spectrum in this trailer to Wig's performance in that I thought she seemed to be trying WAY too hard to be funny.  As a result, every time McCarthy was on screen in this trailer I wanted to jam shattered DVD's of Ghostbusters II (1989) into my eyes.


Main actress 3: Kate McKinnon

Ok, I'll be perfectly honest, I never heard of McKinnon before the casting of the Ghostbusters reboot was announced but supposedly she has risen to moderate comedic prominence after reasonably successful stints on shows like Saturday Night Live (1975-present), Family Guy (1999-present) and The Simpsons (1989-present).  Therefore, I shan't be too harsh on Ms McKinnon by telling her that she doesn't have enough experience for as big a project as this reboot.  Instead I'll just say that she doesn't have enough what with only acting in bit parts on small comedy shows and shorts since 2008 and leave it at that.

The main reason as to why I think that McKinnon is poorly suited to this Ghostbusters reboot is that her character is about as cynically designed for a film with underpinnings of female empowerment as you can get.  Again, to reiterate as mentioned earlier, I have no problem with women making it big in comedy or acting and some of my favourite film characters of all time are women.  However, McKinnon's trying-way-too-hard-to-be-edgy gimmick of having flared hair (which she admittedly looks hot wearing), licking her guns (pretty unhygienic to be honest), trendy clothes and snarky attitude comes off as really forced.  In all fairness, the edgy, bubble-gum popper with a penchant for short hair and blasting motherfuckers kneecaps off has been done very well with female characters before but there seemed to be no comedic substance or reason for showing McKinnon's character off like this in the trailer and as a result it just came off as forced and without any real heart or meaning.


Main actress 4: Leslie Jones

Anything that I said about the cynical design of McKinnon's character in the trailer goes double for the mess that was shown of Jones' character in the trailer.  I don't really think the sub-standard nature of the 'sassy big black woman' stereotype is really as prevalent in modern media as some make it out to be as I haven't seen this trope come about too often as of the last few years in pop-culture and media.  Even still, it couldn't be more obvious in the Ghostbusters reboot trailer that Jones admittedly meagre comedic talent is totally wasted for a cheap and insultingly lazy stereotype that isn't even done well in the trailer and seems to have just been made the core aspect of her character out of sheer ineptitude and lazy writing.

This makes me all the sadder that Jone's character is supposed to be the daughter of Ernie Hudson's character from the original 1984 flick in that her own character is highly unlikeable and unfunny from the trailer whereas Hudson couldn't've been cooler if he'd worn the essence of Bruce Campbell while wearing the suit John Connery wears in his first scene in Dr.No (1962).  It just doesn't fit that a character this stereotyped and lazy could be the daughter of such a respectable, cool, suave and badass character as Winston Zeddmore.  But alas, it does not bode well when this is truly the case.  Alas poor Ghostbusters, I knew them well.

Image source: http://www.sagoma.com/ghostbusters-ritorna-nel-2016/



The worst thing about this trailer is however isn't really anything in the trailer itself but, as far as I could see it, the exclamations of many people across the internet that the film is somehow a grand empowerment of female acting and comedic talent when the trailer really just dives back on lazy female acting and comedic stereotypes with little-to-no originality or creative heart.  This is probably the saddest thing about the trailer for me aside from the sheer lack of comedic quality and timing.  The profile of women in comedic roles has gotten immeasurably better since the late-1990s as far as I'm concerned and thus there is no shortage of female comedic acting talent in this modern age of Hollywood and comedy. 

Therefore, while I'll be certainly willing to give this Ghostbusters reboot a chance and am more than willing to admit myself if I am proving wrong (although that seems unlikely after seeing this trailer) but I have to ask myself one thing; if the women of the main cast have all been in better stuff and considering what I've already seen about this upcoming film, how likely is it that I will even be able to crack a smile?

Sorry if this one was a bit angry but hey, if the film really does seem good or interesting to you, don't let me stop you lot so until next time, enjoy whatever you're watching, take care, don't do anything I wouldn't do and I'll see you lot next time!


My gaming YouTube channel: https://www.youtube.com/channel/UCHmq7KX4Qc46VGhYzWqQfOg

Wednesday, 3 February 2016

Ted's news reviews #3: The Fine Brothers REACT WORLD controversy

Technically I should've done a news review sooner than this considering how much batshit insanity has happened all around the world since I did my last news review in December 2013 around the Haiyan typhoon tragedy.  Suppose this makes me a bit less of a news reviewer or journalist of any sort but when I have the right accumulation of time and something is as relevant to me as the Fine Brothers REACT WORLD controversy I just couldn't help not say at least something about the craziness about this issue considering that as well as having a blog, I also have a YouTube channel following a genre inspired by bigger and more influential YouTubers.

Image source: http://www.tubefilter.com/2016/02/01/the-fine-bros-react-world-reaction/

Over the last few years, Benny and Rafi Fine have been recognised as two of the most successful and profitable YouTubers and have been particularly influential in cultivating the reactionist genre of YouTubers on the legendary video website.  Many have praised them for finding a smooth and quickly-produced format of giving opinions on current and topical videos while many others (myself included) have criticised them from devaluing the original source material that they show in each episode of their multiple reaction series by playing the videos in their entirety and not editing the videos in any manner.

Now, regardless of what your opinion may be on reaction videos may be, one must admit that the Fine Bros made a genius discovery to quickly produce profitable and easily-consumberable content when they formed the 'Kids react!' series.  It does make sense to maximise profitability in as a short a space of time as possible even more so once you look at how many spin-off series that the Fine Bros made including reaction series for elders, teens, YouTubers and adults (not sure how that would work with the elders sub-genre already having been made).

Over the last couple of years, the Fine Brothers have exploded in popularity with all of their multiple spin offs reaching approximately 14 million subs on their main channel and almost 6 million on their secondary REACT channel.  considering that in the last 3-4 years that they have reached almost half the subscriber count of highly popular Swedish YouTuber PewDiePie (who currently sits at about 41.93 million subscribers, good lord, well done mate), you have to admit, regardless of your own views on the reactionist genre of YouTube, that the Fine Bros made a very profitable way of making reaction videos into an easily-consumable format.

This was never so much my train of thought with the Fine Bros as I personally think that reactionist channels devalue from the original source material they react to and don't really add much to the videos that they react to.  This was less so the case when the channel primarily concentrated on everyday people reacting to videos as it was more of a raw, everyday and realistic assessment of the videos that the Fine Brothers found than what might more commonly be seen on their channel in the last year or two.

This came crashing down around the Fine Brothers in late January 2016 when the two brothers announced on their main channel that they would be creating a website initiative called 'React World'  whereby people could create reaction channels using similar formats and titles under contract with the two YouTubers who would then take an appropriate share of the add and click-based revenue.  On the base of it, this doesn't seem all that terrible as it could've been seen as a chance to create a huge parent-network of the likes of Normal Boots or ThatGuyWithTheGlasses.com.  However, over the last week or so, more and more information has surfaced indicating that much of this initiative was meant to monopolise the genre of reaction videos and possibly set a harmful precedence for YouTube genres in the future.

I would put the video link for the original announcement video and the subsequent update video put up a couple of days later but the two videos have seemingly been taken down on account of the massive controversy that erupted around the announcement that the two brothers made.  Understandably, many people were concerned that the two brothers were trying to monopolise reaction videos but the truer extent of this initiative was not realised until about a week after the announcement was made.  Initially, many big-name YouTubers such as Phillip DeFranco or Boogie2988 made very diplomatic reactions to the Fine Bros announcement imploring people to get informed on the issue before going crazy and they're still right.  However, in the light of information released about the Fine Brothers allowing their fans to digitally bully the Ellen show for apparently copying one of the brothers shows for one TV episode of her show or how they have attempted to copyright the actual term and concept of 'react', it seems that greed and sinister business malpractice is more so behind the brothers 'REACT WORLD' initiative than initially seems.

Link for Ellen show controversy screenshot: http://i.imgur.com/idasVMZ.png

Fortunately, this seems to have lessened over time with the brothers reaching out diplomatically to Ellen subsequently after the controversy about their fans attacking her show and have rescinded their copyright on the term 'react' since the internet blew up about the 'REACT WORLD'...uh...reaction.

Links for copyright to term 'react':
Link 1: http://variety.com/2016/digital/news/fine-brothers-youtube-scrap-react-licensing-trademark-backlash-1201694781/

Link 2: http://www.bbc.co.uk/news/technology-35459805

Link 3: http://uk.pcmag.com/internet-products/74945/news/fine-brothers-ditch-plans-to-trademark-react-video

Broadly speaking, many other YouTubers (which I'll link below) have expressed concern recently that had this copyright and initiative gone through then it could've set a dangerous precedence for other YouTube video genres.  If the brothers had monopolised reaction videos, who's to say that others wouldn't be able to copyright vlogs, make-up tutorials, music remixes or let's plays'?  Sadly, it seems like this is becoming more and more of a trend with bigger companies as shown when Sony tried to copyright the term 'let's play' in 2015.

Link for Sony copyrighting let's plays: http://stayontheblack.com/2016/01/sony-is-trying-and-failing-to-trademark-lets-play/

With the informal free-market that the internet and YouTube in particular seem to operate on, this thankfully seems unlikely to happen on such a grand scale as the Fine Brothers or Sony have attempted but the potential of it happening is possible albeit very unlikely and this frightens me.  I personally believe that operating the internet and YouTube on a free-market basis is the right way to go and monopolising concepts and terms like 'let's play' or 'react' is extremely harmful to this kind of market and the creative freedom of content creators in general.  Therefore, I implore everyone to resist these forms of concept and idea monopolisation and copyright as it does more harm than good.  Even if the intentions of the Fine Brothers were good, the effects of this kind of initiative are more negative than positive.

Regardless of this though, the PR reaction to the Fine Brothers has been nothing short of disastrous for their fanbase and reputation considering that as of this blog post, the brothers have lost about half a million subscribers on their main channel and about 150,000 subscribers on their secondary channel and there is now an abundance of streams recording the downfall of the brothers subs count in real time while countless YouTubers have themselves created reactions to the 'REACT WORLD' initiative, absolutely lambasting it and its effects and intentions.

This in turn has resulted in the brothers having to not only rescind their copyrights but also completely scrap the 'REACT WORLD' initiative as they announced a few days ago: https://medium.com/@FineBrothersEnt/a-message-from-the-fine-brothers-a18ef9b31777#.9f1yj9guy

Ultimately I think this is the right thing to do.  The initiative and copyright was highly impractical and clearly massively unpopular as telling by the glut in Fine Brothers subscribers over the last several days.  However, the Fine Brothers are still losing subs at an alarming rate and are going to be forced to do some massive damage control before long lest they have to give up their diamond subscriber button.  Unfortunately for the brothers, regardless of how well they handle the fallout, this PR and policy disaster will undoubtedly tarnish their legacy particularly more so thanks to their condescending way of initially announcing the initiative in the first place.

 To conclude, I initially thought that the brothers were simply being misinformed and acting with interesting intentions in the wrong way but now I think that their intentions may have been far more greedy and sinister than initially foreseen.  Had the brothers simply implied they were going to be setting up a parent-network for other reaction channels then this wouldn't have imploded as badly as it has done.  For one, I've never subscribed to the brothers and I definitely never will after this.  You guys decide for yourself but I most definitely think that this controversy has called the honour and moral balance of the brothers into disrepute from this point onwards.  I wish I could say otherwise but the more information that comes out about this controversy, the more that such a thought seems like daydreaming hopefulness.

In any case, I hope that this has helped to light up the situation for some of you out there and if it hasn't quite done that then I highly recommend you take a look at some of the links below in order to become better informed about the controversy.  So until next time, take care, have fun with whatever you're doing and don't do anything I wouldn't do.

H3h3 productions: https://www.youtube.com/watch?v=dwcmWhPcTk8

Boogie2988: https://www.youtube.com/watch?v=YN-vhZoO7wM

I Hate Everything: https://www.youtube.com/watch?v=FjOKNSOflhk

Phillip DeFranco: https://www.youtube.com/watch?v=I_3HESGr52A

TheGamerFromMars: https://www.youtube.com/watch?v=x8nrvch0tNY

Saberspark: https://www.youtube.com/watch?v=kElEmlKZ0oY


Special thanks:

I'd like to give big thanks to my friend Tom.M for sending me the H3h3 productions reaction to the Fine Brothers announcement.

I'd also like to give special thanks to my gaming buddy and good friend Pujge_Egjup for sending me the link about the Ellen show controversy and telling me about that whole situation and how it tied into this current one.  Please check out Pujge's gaming channel on YouTube: https://www.youtube.com/user/PujgeEgjup


My YouTube channel: https://www.youtube.com/channel/UCHmq7KX4Qc46VGhYzWqQfOg/playlists


Wednesday, 20 November 2013

Ted's news reviews #2: The 2013 Philippines typhoon Haiyan disaster

Oh man.  Last time I did a review on the news it was  of the social, economic and administrative causes and results of the (as I see it) largely pointless London riots in 2011 which started off as a outcry of rage and then descended into a week-long chaos of looting and burning as London was temporarily torn up by the mobs of rioters (Basmati rice theifs included).  Whereas this event however was more difficult to analyse in terms of its running course, causes and the resulting effects it would eventually have on British urban social welfare and society in general, the recent and terrible destruction that has been wrought in the islands-nation of the Philippines is arguably easier to analyse.

this does not mean however by any stretch of the word or meaning thereof that the events in the Philippines recently are more easy to stomach than the rage and fury of the London riots nearly more than 2 years ago.  Whereas the last news review on this blog was on a crisis of social issues, this new crisis is one of natural, nationwide and far more devastating consequences.  After all, what has more of an impact on the way the world sees itself and how we see the plight of others; the burning of parts of a city and the incarnation of frustration or the manifestation of nature's fury being unleashed on a developing and geographically divided nation?

To put this quickly into factual perspective, last week a typhoon of colossal proportions was coming across the Leyte gulf off the Eastern coasts of the Philippines with a house crushing force of up to 270 kilometres per hour as it carved a path of destruction across the central Filipino islands particularly hitting the islands of Cebu, Bohol and Leyte the hardest.  In just a couple of days of destruction and death, approximately 670,000 people were displaced and many more left without access to clean water while the electricity to remaining houses in these areas were knocked out by the storm's apocalyptic fury.  While tens of thousands to the Northern islands of the country were hit notably hard by the storm, the real epicentre of typhoon Haiyan's fury was unleashed on the central islands of the country where communication and transportation is as hard as anywhere else in the scattered collection of islands that make up the state of the Philippines.

This in turn means that as the huge aid programme that has gotten under-way is finally reaching the Philippines, it is still hard for aid organisations and the Filipino government to transport supplies effectively and efficiently.  This means that not only are people in the epicentres of destruction being left without basic provisions, but because of the slowness with which it has finally taken aid to be distributed and transported, many people in the affected areas last week were forced into thieving food banks out of a sad and unfortunate state of necessity and desperation.  This was probably the most terrible fact that saddened me about this recent crisis.  While the complete and terrifying destruction of whole towns and the majority of many cities in the central islands is scary as hell and the 10,000 dead in Tacloban is a highly sorrowful and sobering thought, I was most saddened by the desperation I saw in the faces of the food-looters on the BBC world-news broadcast as I saw soaked Filipino fathers and mothers carrying weighty sacks of rice over their shoulders.

It might be because I was given a largely left-wing upbringing in large part by my mother when I was growing up that I believe there should be an efficient and equally capable ability to react to disasters anywhere in the Philippines and not just the provinces around the capital.  More importantly than this however, when I saw the food-looters struggling though the wreckage of their once-proud city in Tacloban surrounded by dead bodies lined up in body-bags by the road and beleaguered Filipino soldiers at the checkpoints unwilling or unseeing to the food-theft happening on my television screen,  I felt an instinctive sadness that the Filipino people could be reduced to so bad a state of poverty and desperation through what is simply the movement of local weather.

Many will argue that global warming is to blame in some part for the disaster that has recently befell the Filipino people, but I think that is an examination that should wait until a few years hence from now.  for the immediate future, I think and believe strongly that the main focus of the efforts in the Philippines should not be researching where the typhoon came from or discussing what should've been done as looking at such a retrospective factor now will just be a waste of time.  Instead what must be done in the immediate future is that we help the Filipino people from across the world by donating money towards the maintenance of electricity and clean water, supply of food and medicine and the provision of security and re-building and clearing up of the worst effected areas hit by typhoon Haiyan.

I'm not saying that the clear-up and recovery that faces the Philippines will be easy however, hundreds upon hundreds of thousands of people have been displaced and more have been left without electricity, water and medicine as well as shelter which for many more is now gone.  The Philippines is not a naturally prosperous country and is still developing after it left the fold of American colonisation decades ago, so the fact that the country was hit by a typhoon of such ferocity as Haiyan makes the circumstances all the more terrible, saddening and desperate.

therefore, I am asking you all this time round to act with impunity, generosity and alacrity.  The Philippines have received many millions of pounds and/or dollars in aid but if the Philippines, a developing nation as it is, is to recover fully in the coming years then it requires more aid and quickly.  even if you were to donate a couple of week's worth of pocket money or a few hundred from your bank, I have no doubt in my mind that it would make a difference to the lives of the still-living victims of the typhoon Haiyan.

Remember this and take heart, after all, there isn't enough mutual helping around the world already as it is, but this is a start.  Take care people, and spread the kindness and generosity that the people of the Philippines deserve.